your palms, parallel, enclosing the ends
of collarbones and slipping
downwards
But what I meant was forget the
shadows, those that swiveled with the
breeze over flesh and cement, and
forked birds' feet
And what I should say is forget the
light, the sleek cause and effect,
bleaching lines in the dirt and
projecting an image of you onto
the lenses of my sunglasses
No comments:
Post a Comment